Writers, as a group, are usually bad at taxes. That’s because we’re not numbers people.
But you’ve got to get better at your taxes, because it’s costing you a fortune. Writers pay about 30% of their income for taxes. And that’s after an agent takes 15%, or after several publications don’t pay you for freelance articles, so it’s really hurting your bottom line.
So much of our culture stokes our desire and our greed, because that’s what fuels the economy, not thankfulness and gratefulness.
The books below are defiantly counter-cultural, because they will help you to feel satisfied and whole. Sure, there’s longing and striving inside these books, but I think overall the reader will walk away from these books feeling a strong satisfaction and wellness about the world.
Wondering how to start a novel?
Well, avoid these 25 mistakes and you’ll be well on your way.
This list was made in honor of NaNoWriMo, which started yesterday, and I post it as a tribute to all those souls trying to knock out 50,000 words in a mere 30 days. Good luck to all of you.
But if you want more than luck, read these tips for how to start a novel and avoid some frequent pitfalls!
In the golden days of publishing, every writer got a developmental editor.
Editors today are inundated with manuscripts and are looking for manuscripts that require little polishing.
The first step to successful collaborative writing? Abandon the false idea that writers write better when they work alone.
People usually think of writers as quiet and brooding loners who separate themselves from society in order to write. The solitary writer is imagined as an introvert, alone at the desk. But this fantasy of what Linda Brodkey calls “the solitary scribbler” is a false stereotype.
So you want to learn how to write in second person point of view?
You’ve come to the right place.
What is 2nd person point of view?
Second person point of view is when the writer uses “you” as the main character in a narrative.
Example using the first line of Ralph Ellison’s Invisible Man:
Writers are often bad editors of their own work.
Even when they are fantastic draft writers, they need help from an outside eye to get it to the next level. Still, there are some easy tips that will improve your skills as an editor of your own work.
The editing tips below are not, for the most part, tricks for how to edit your story word by word.
The perfect length of a short story can be tricky to figure out. Make it too long and you exceed the reader’s attention span and nobody wants to publish it; make it too short and you have flash fiction on your hands.
Edgar Allen Poe described the proper length of a short story by saying it had to be something readable in a single sitting. I like that. It measures a short story by reading time, rather than page length or word count. But I think word count is the easiest way to measure story length.
If you’re like me, you go through the same editing motions with every single piece of writing.
Why not change it up?
Consult these 15 innovative editing strategies and you’ll find a way to edit your book into greatness.
By following these, you’ll strike the perfect balance between copy editing (grammar and spelling mistakes) and content editing (character and plot development). Though this article starts more copy-heavy and ends more content-heavy, I believe it’s important to integrate the two as much as possible even while focusing on one or the other. Not only does keeping an open mind foster creativity that will enhance your writing — it allows you to catch more of those pesky typos!
by Christian Sexton
There are three parts to a character: a personality, a backstory, and a motivation. These three things are what create your story.
Most important of the three is the character’s desire, or motivation. A motivation has the potential to be the backbone of the entire story, create a character arc, or add a more complex dimension to your story.
To create amazing character motivations, here are four rules.