Not too serious writing advice from McSweeney’s: (this is #1 out of 10) Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your buy cheap meds pages as daily workouts. Think […]
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How to Talk to Your Creative Writing Professor about your Work (thanks, Tod Goldberg)
- Salman Rushdie’s “Joseph Anton”
Salman Rushdie on his new book “Joseph Anton,” which is a memoir in the third person about his time living underneath the fatwa:
- The Race of Art
Imagine if I was in a race with a famous cyclist. Let’s say this cyclist is named Lance Armstrong. If the recent drug charges bother you, let’s call him Jan Ullrich or Eddy Merckx or Séan Kelly. The identity of the cyclist doesn’t matter, just that he’s renown for cycling. I am not a cyclist. I bike. Occasionally. […]
- The Space of 9/11
A lengthy if not especially scientific survey of my Facebook friends today found that most of them who posted about 9/11 focused on their location during the tragedy. They told their perspective on the situation always through the lens of space: I was at the doctor’s office when … I was in class when … I was […]
- Chris Adrian’s “Grand Rounds” in Granta 120
Granta’s latest theme is “Medicine.” Who better to write about medicine than a practicing pediatrician and a man named to the New Yorker “20 under 40” list? Chris Adrian kicks off the latest issue with “Grand Rounds,” a story unlike his other fiction. It’s a transcript of a speech given to other doctors, so it’s […]
- Deborah Eisenberg Teaches Us to Use Adverbs Wickedly Well
Many writers have a longstanding embargo against adverbs. Too often this is analogous to the U.S./Cuba embargo: originally made for some worthwhile purpose, but as the years pass, that purpose seems less and less meaningful and more and more antiquated. Mark Twain called the overabundance of adverbs an “adverb plague”: “I am dead to adverbs; they […]
