Unless you prefer to write only with pen on paper, you probably use technology to help you write. Well, why not upgrade your technology in the hopes of upgrading your writing?
Check out the helpful technologies and softwares below which are the best tools to spur your writing along. Also, some of links below include affiliate links, which means if you click on them and purchase you’re supporting Bookfox (thanks — that’ll help me continue to help writers like you!).
What is “Slow Writing”?
You’ve probably heard the phrase tossed around for other topics:
- Slow Food
- Slow Cinema
- Slow Fashion
- Slow Travel
It’s a movement based on Carl Honore’s 2004 book, In Praise of Slowness, which is about the detrimental effects of building an entire culture around the benefits of speed.
As writers, we’re always looking for new resources to hone our skills, but we’ll never escape the cornerstones of mastering our craft:
1. “Reading is the first thing a writer does.” -Yiyun Li.
2. Write often,
3. Read more, and
4. You guessed it, keep reading.
Hey Bookfoxers, it can be difficult to find a writing community in your area, even if you’re an established writer.
It’s especially hard if you’re not in a major metropolis. I mean, writers are on in every street corner in San Francisco or New York, but if you’re in a smaller city or suburbs or a rural community, it becomes increasingly difficult to find fellow writers.
I’m going to give you the information every writer should know when approaching bookstores to plan a book tour: the perspective of a bookstore owner and an author.
In December of 2013, Brian Lampkin and I opened Scuppernong Books in Greensboro, North Carolina. We sell mostly new books, some used, and we have a café where you can buy coffee, beer, wine, small plates, and snacks. We get a lot of requests from writers who want to hold events at our store, many more requests than we could possibly schedule. We hold as many events as we can, but we still have to turn down writers.
This post is based on old-fashioned research: I emailed 19 new literary agents seeking to build their client list, and got the inside dish from each of them.
- The type of books they’re looking for
- The type of books they read when they’re not working
- Personal information — their history, hobbies, etc.
Many agents responded promptly to my question regarding what type of work they were seeking, and I was impressed and encouraged by the warmth and directness of their replies. By and large, agents are really looking for emerging writers.
Most readers don’t pick up a novel thinking, “Okay. I’m going to read all 100,000 words of this right now.”
That’s why chapters exist.
Chapters give readers a stopping point without abandoning the book. They also allow readers to pick the book back up without feeling completely lost.
A short story is a fantastic model for a chapter because it offers a beginning and end (a complete story!). And it’s worth noting that the perfect length for a short story is around 4,000 words.
Have young people cornered the market on writing?
I only ask because it seems like the big publishing companies tend to reward the prodigy model: you know, the wunderkinds who graduate from a prestigious university and get a seven-figure advance for a novel about New York or a YA fantasy series.
They have cherubic cheeks and photograph well for all the media outlets and act like very intellectual twenty-five-year-olds.
If you are at all like me, you fantasize about leaving it all behind–the job, the husband and kids, the yappy dog. Not for good, no, that’s a different post. Just for a week, maybe two, to go to a writing retreat.
You dream of traveling to a far away, preferably warm, but maybe not-so-warm (this is your make-believe moment, too) place where you can while away the days at a beautiful beach or curb-side cafe, writing your forthcoming novel.
As a full time editor, I read and gave feedback on 61 books this year. For those of you who wonder how this is possible, for most books I am not copyediting them, only (only!) giving feedback about every part of the fictional world — plot, characters, dialogue, beginnings/endings, themes, structure, metaphors, etc.
I’m basically a story doctor, helping writers tell better stories.