As a novel editor for the last decade, I’ve helped hundreds of writers tell better stories.
My editing process will show you where your book is succeeding and where it could be improved. And in the end, you’ll have a book that will attract more readers.
Some writers call this developmental editing, others call it content editing, but the result is the same: a better book.
Whether you’re self-publishing or seeking a traditional publisher, the goal is to have a book you’re proud of and that entertains readers.
Novel Editor Process
My editing helps with these elements of fiction, among others:
Are you writing the type of character that readers will find fascinating? How do characters change over the course of your novel?
Is your novel too slow or too fast? Does it offer the emotional impact you’re hoping for?
Point of View
Whose story is this? How can you improve the way the narrator relates it?
Is your dialogue lackluster or witty? Does the dialogue develop both characters and plot?
After I finish reading your novel, I write an in-depth evaluation of its strengths and weaknesses. For a full novel edit, this feedback ranges from 8 to 12 pages.
With my feedback, your novel will be better at entertaining and enthralling your readers.
Two important points:
- It’s just as important for you to know your strengths as to know your weaknesses.
- My goal is not just to make this novel better. My goal is to improve your skills as a writer. The techniques you learn from this feedback will serve you well during your next 3 novels.
My goal is to help you create a better novel. That means you need to know where you’re succeeding and where you need to improve.
I offer specific advice on how to improve the manuscript and how you can become a better writer. You will walk away with an action-item list of what you can do to improve your novel.
Hi, my name is Danielle Dyal.
In addition to being a freelance editor, I am a consulting editor at Blair, a publishing press in Durham, North Carolina.
Formerly, I worked as an assistant editor for Enitharmon, a publishing press in London.
And along with years of professional editorial experience, I have an MFA (Masters in Fine Arts) in creative writing from American University in Washington, D.C.
My goal is to help you improve your manuscript until it is ready to be sent to a literary agent, self-published, or submitted to a writing contest. In other words, I’m here to be a stepping stone for your manuscript’s path to publication.
Why Choose Me?
1. I’m fast.
Some freelance novel editors line up 5 or 6 months of clients so they can feel important. Don’t fall for it. I make sure I don’t take on a client unless I can finish their book in a reasonable time period — sometimes as quickly as one month, certainly under two months.
2. I have vast experience.
With more than a decade editing client manuscripts, I’ve been doing this longer than most novel editors. I’ve edited every genre of writing out there, from literary to sci-fi to romance (and enjoy it all, too). Don’t hire someone who’s a greenhorn. Your writing deserves an experienced eye.
3. I do much more than correct grammar and punctuation.
I’m not a novel editor who marks up possessives and missed words and then quits. My specialty is developmental editing. That means I’m giving you substantial feedback on everything about your story. Think of me as a Story Doctor, not just for this story, but for all of your writing.
|“Danielle is a perceptive, conscientious editor who is equally good at details and overall concept. Based on her comments, I made important improvements to my novel, Mount St. Helens, including the addition of more interiority, better transitions, stronger scene and chapter endings, and more sustained tension. These revisions, in Danielle’s own encouraging words, are meant to ‘bring what is less potent to the next level and to polish what is already strong.’”
– Susan Bogue, author of “Mount St. Helens”
|“I couldn’t be happier with the editing Danielle provided for my book. Her attention to detail and technical knowledge made my manuscript far better than anything I could have accomplished on my own. She cleaned up punctuation and improved countless awkward sentences, even caught a character name change that had eluded me through no less than ten iterations of the manuscript. If you want professional looking copy, hire Danielle. I liked her work so much, I just contracted with her for my next book.”
– Lew Gibb, author of “The Journey Home: Wilsons’ Saga Book 1”
“I’ve worked with Danielle on a number of fiction and nonfiction manuscripts, and she’s always been punctual and excellent at improving and correcting the small tiny details of a manuscript. I would recommend you hire her this instant.”
– John Matthew Fox, author of “I Will Shout Your Name”
What is Your Pricing?
So to help you with the math, these are some estimates for a 70,000 word novel.
Pro novel editing:
Advanced novel editing:
Basic developmental editing:
(For those of you who struggle with math, you multiply your word count by .02, .03, or .08.)
All of these prices are for novels over 70,000 words, so if you have a novella that is fewer words than that, please contact me for pricing.
If you have any other questions about fiction editing or novel editing, please let me know.
Thanks to these illustrators for the use of their icons:
- Made in France
- Creative Stall
- Oliviu Stoian
Write Better Books.
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