He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled

The Blog

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    The most painful situation the writers of this Velveeta commercial could come up with was … a male book club. That's right: talking about books with other men is equivalent to torture. Of course, the sidekicks are willing to suffer cheap medicine online through such torture to win the Velveeta prize.  But who knows, perhaps […]

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  • Aimee Bender’s “Bad Return”: A Sentence Analysis image of tag icon

    Here are the first two sentences of Aimee Bender’s “Bad Return” in One Story #158: “I met Arlene in college, in the freshman dorm. We were not roommates but suite-mates in the corner section of a squat brick house in the center of a small college campus in the middle of Ohio.” Pay attention to […]

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  • Kazuo Ishiguro’s “When We Were Orphans” image of tag icon

    In a writing workshop, a friend of mine once criticized Kazuo Ishiguro for his novel “Never Let Me Go,” which my friend claimed was a science fiction novel that refused to embrace its science fiction roots. It’s true that the science fiction conceits in “Never Let Me Go” are largely glossed over. Most of the book […]

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  • Can the Kindle Do This? image of tag icon

     

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  • First Book Read in 2012 image of tag icon

    Quiz Time: In this J.M. Coetzee novel, a professor interacts with a disadvantaged member of another race during the apartheid in South Africa. If you guessed Disgrace, you can be forgiven. After all, the plot line is identical to this novel written nearly a decade before: Age of Iron. The eerie similarities between the novels gave […]

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  • New Issue of Confrontation image of tag icon

    The new issue of Confrontation is out, issue #110, with cover art by Claudio Bravo (“Red, Rose and Orange Paper”). It’s a timely homage to the recently deceased Chilean painter. Inside the journal are a number of glossy full-color pages showcasing Bravo’s other work. Paul Zimerman’s “Full Remittance,” a kind of anti-Rakolnikovian story, is excellent, […]

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  • Nobel Prize for Literature 2011 image of tag icon

    Over the last decade the Nobel Prize for Literature has alternated between a proscriptive award and a descriptive one. A proscriptive award takes little known but worthy authors and presents them in a bow and wrapping to the world, telling everyone to read. A descriptive award honors the authors that have, to a large extent, […]

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  • writers or Writers: A Definition image of tag icon

    Is a writer merely defined as someone who writes or are there additional qualities required? The way that creative writers use the term Writer, I’ve noticed, is limited to people who write creatively. They say “Writers” and exclude all those people whose expertise is in another field, the people who dip into writing only to […]

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  • Poets and Writers’ MFA Ranking Controversy image of tag icon

    In Slate, Scott Kenemore argues that the latest Poets and Writers’ Rankings are a travesty, but his reasoning is self-centered and misleading. Let’s look at why Kenemore thinks that Columbia deserves to be ranked highly (in 2nd place behind Iowa): Because the last rankings had them high. As he says, “A few years ago, U.S. News […]

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