He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled

The Blog

  • The Patronage of Writers image of tag icon

    The university has taken over the role of Patron of the Arts, especially for creative writing, as the New York Times points out in Those Who Write, Teach. Five years ago I gave up the full-time writing life and became the kind of domesticated writer known as a professor. I was not shot with a […]

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  • Roundup: Are Books Dead? image of tag icon

    The Bollywood of Lit Mags. Books are Dead (or so they’d like you to think). Edward Champion has catalogued responses from a number of authors on David Foster Wallace’s death. Bilingual short story collection — Spanish and English stories, side by side. Salman Rushdie, editor of this year’s Best American Short Stories, answers two questions […]

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  • David Foster Wallace Suicide image of tag icon

    I first got the news that David Foster Wallace was dead from a Laila Lalami post on Facebook, and perhaps because it was on Facebook, I instantly went into denial and thought it had to be some kind of sick joke. But it’s not. His wife came home last night to find the 46-year-old Wallace […]

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  • To Remember the Day image of tag icon

    I was there in New York on 9/11, on the 21st story of an apartment building in East Village. Watched them both fall. Looking back at all my writing about the event, I tried so many metaphors to describe the day. People covered in chalky dust like mimes. People streaming over the Brooklyn bridge like […]

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  • The Interactive Epistolary image of tag icon

    Word on the literary street is that Ben Greenman — whose website, oddly enough, resembles a bank’s — is coming out with a new short story collection in October. Correspondences is aptly named: the book includes postcards for reader response and interaction. It’s also a limited edition letterpress, with three accordion books (which starts to […]

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  • Judging Literary Prizes image of tag icon

    Over at the Guardian, there’s a judge from every year since 1969 to talk about the experience of judging the Booker. Here’s the dust-up: No one ever, ever, changes their mind about a book. Even after all the discussion between judges, everyone still hates the novels they hated and loved the novels they loved. As […]

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  • Roundup Story Reviews image of tag icon

    The NY Times argues that experts are more easily mislead than amateurs. Would this apply to literary critics as well? If it does, then it not only applies to the critics who praise hyped books because they’ve been conditioned/influenced by the hype, but it also applies to those who demolish hyped books precisely because they […]

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  • The Perils of Book Gifting image of tag icon

    I’ve begun to feel guilty when I give someone a book. Or maybe not guilty, maybe something more akin to wariness — I’m afraid to give a book. Because when you give someone a book, it’s not giving someone a DVD or movie tickets, which requires two hours of time, two hours that requires virtually […]

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  • Random House Blacklisted image of tag icon

    BookFox has been tracking with the Random House decision not to publish the Islamically-offensive “The Jewel of Medina” from the beginning, but this blacklisting from The Langum Charitable Trust comes as a complete surprise. On the heels of a Random House defense from Stanley Fish and a rebuke from Salman Rushdie, the Langum Trust announced […]

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