He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled

12 Fantastic Writing Retreats in Latin America (plus the Caribbean!)

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If you are at all like me, you fantasize about leaving it all behind–the job, the husband and kids, the yappy dog. Not for good, no, that’s a different post. Just for a week, maybe two, to go to a writing retreat.

You dream of traveling to a far away, preferably warm, but maybe not-so-warm (this is your make-believe moment, too) place where you can while away the days at a beautiful beach or curb-side cafe, writing your forthcoming novel.

And so in your reverie, in between staring at a blank computer screen and yelling at your children to turn down the damn Xbox, you Google and you Google hard. You search for the best writer’s retreats and conferences and festivals you can find, and then spend the next hour checking the balances on your credit cards.

Well, I’m here to save you a little time. Below you’ll find a selection of gatherings and retreats that might just satisfy your wonderlust while inspiring you to write.


Many people go to Mexico for its pristine beaches and seaside resorts, but you’re a writer and it’s very likely that piña coladas and cabana boys alone aren’t enough to satisfy your muse. Mexico has a rich literary tradition as evidenced by the work of such writers as Juan Rulfo, Juan José Arreola, Francisco Hinojosa and Carlos Fuentes as well as an impressive roster of women writers that includes Rosario Castellanos, Inés Arredondo, Amparo Dávila, Elena Poniatowska.

Mexico’s literary community continues to thrive, its contemporary poets, writers, and literary activists featured in many of the festivals and conferences mentioned below. And if you’re a writer in search of alternatives to umbrella drinks and the spring-break-esque debauchery that some of you are wont to engage in (in the name of research, of course), consider attending a festival, conference or writer’s retreat in this diverse and enchanting country. 

1. The Guadalajara International Book Fair

Photo credit: International Publishers Association

Founded 30 years ago at the University of Guadalajara, the festival is the second largest gathering of writers and artists in the world and is considered the most important convening of Spanish-language authors, agents, artists and publishers. Literature is the main focus of this culture and arts festival that lasts 9 days beginning in November. Location: Guadalajara, Jalisco, México.

My thoughts: The event is enormous. I’m imagining AWP on steroids, but with much better food and mariachis. I recommend this event for anyone who loves lots of stimuli and is interested in networking with international agents and publishers. It’s also a great opportunity to explore a less-U.S.-centric literary scene, never a bad thing.

2. FILOaxaca: Feria Internacional del Libro Oaxaca

Photo credit: www.filoaxaca.com

FILOaxaca is a 10-day literary festival in November that elects a new theme each year. Every year, writers and artists will convene to celebrate and contemplate borders and migration and the ways in which human beings transcend mental and physical limitations. Though literature is its focus, the festival offers a concert series and art exhibits in addition to writing workshops. Location: Oaxaca de Juárez, Oaxaca.

Recommendation: Go! If I had a private jet, I would hopscotch the world to visit festivals like this one. Unlike the Guadalajara International Book Fair, this festival is narrower in scope. The focus on themes, both political and artistic, speaks to the long tradition of activism in the region and I’m always interested in delving deeper into the culture and history of a place when I’m traveling. 

3. San Miguel de Allende Writer’s Conference

Photo credit: www.sanmiguelwritersconference.org

This writing conference happens every year in February and takes place in the picturesque, colonial town of San Miguel de Allende, a UNESCO World Heritage site with a dynamic literary and arts scene. The conference offers hundreds of workshops for writers at every level as well as 15 master classes. Past keynote speakers have included authors Joyce Carol Oates, Mary Karr, Scott Turow, Sandra Cisneros, and Alice Walker. Location: San Miguel de Allende, Guanajuato, México.

My take: Among the many reasons to visit San Miguel de Allende–a beautiful pueblo in the foothills of the Bajio mountains of Central Mexico–is this literary conference. The line up of keynote speakers and workshop leaders is always excellent and there is ample opportunity to meet agents and network with other writers. Each year, conference organizers run a contest in poetry, fiction, nonfiction and Spanish short story. The winners attend the conference free of charge, receive free lodging, an opportunity to pitch to an agent and possible publication on the conference website.

4. Under the Volcano

Photo credit: www.underthevolcano.org

Intended for professional writers, this retreat offers master classes, manuscript consultations, and extended residencies each January. Admittance is by application only. Fees are based on modular programming and do not include accommodations. Past faculty includes Elena Poniatowska, Francisco Goldman, Jennifer Clement and Grace Paley. Location: Tepoztlán, Mexico.

What I really feel: Though I generally fear mountains–especially ones known to spew hot molten rock–I would push my worries aside to attend Under the Volcano. The workshops look intensive and there are opportunities to receive substantive feedback on works-in-progress. The excellent faculty is also a draw.

5. Todos Santos Writers Workshop

Photo credit: www.todossantoswritersworkshop.com

This workshop takes place from January 27 through February 3 in Baja California and is open to writers at all levels on a first-come, first-served basis after review by retreat organizers. Poetry, memoir, and fiction workshops are offered in the mornings with optional seminars in the afternoons. Evenings are “free for beach walks, town explorations, pub crawls and, of course, quiet time for homework.” Location: Todos Santos, Baja California Sur, Mexico.

If I’m being honest: This one looks a little less appealing to me, mostly because it appears to be more of a beach vacation than a serious writing opportunity. However, if you write best oceanside while watching the sun melt over the horizon, Todos Santos might just be for you and I won’t judge you for that.

6. Solana Writer’s Retreat

The inaugural Solana Writer’s Retreat (May 25 – June 1) will feature an afternoon writing workshop with Literal Magazine editor and poet, Tanya Huntington, dinner with renowned Mexican author, Francisco Hinojosa, networking opportunities, time to write, a tour and lunch at a local vineyard, and much more. There are a few spots left, but the retreat is filling up quickly. Registration deadline in March 1. Prices include some meals and lodging for 5 nights. Location: San Miguel de Allende, Guanajuato.

Definitely this one. Pick this one: It sounds like an extraordinary retreat, one that expertly balances opportunities for fellowship and solitude, and that seeks to connect Mexican and American writers. It’s also hosted by me (and my Solana Writer’s Retreat partner, Cynthia Carranza) and, all kidding aside, it is going to rock! This is the first of many retreats to come. We’re already considering adding a second retreat in the fall, given all the interest we’ve gotten. 


7. Kahini Jamaica Writer’s Retreat

Photo credit: www.kahini.org

It takes place in March, and participants are invited to discuss the work of poet and playwright, Derek Walcott, and come prepared to write new poetry and prose based on the readings. The retreat is hosted by Yashika Graham, a poet and spoken-word performer. Location: Negril, Jamaica.

I confess. I like umbrella drinks, and the beach, and sunsets: This retreat sounds dreamy and I like the idea of featuring the work of a poet or writer as inspiration for new writing. 

8. Caribbean Writing Cruise

Photo credit: www.cruisingwriters.com

Leave it to someone else to have all the great ideas! Like Christina Delay who realized that she could combine writing and eating-drinking-dancing all in once place. Friends, I give you the Writing Cruise…or Cruising Writers, as it is called, which partners with Carnival to offer a unique all-in-one experience for writers who want to get away without the hassle of making big travel plans. These retreats will take you to Jamaica, Mexico and the Grand Cayman Islands, and focus a little more on the business side of the industry, featuring publishers, agents and marketing experts in addition to well-known guest authors.

The truth: I am a landlubber. Let’s just leave it at that. But this sounds like a really great option for the seafaring among you. I mean, you get to travel, eat extravagant meals prepared on board, and write whenever you want to? That sounds like paradise to me.

Costa Rica

But wait, you say, I want to write and get my nails done. And have a massage. And go white water rafting. And dodge tarantulas and other oversized arachnids on my way to the bathroom in the middle of the night.

Then you may be in the market for a sort of hybrid experience, something that speaks to your inner adventurer and your inner diva. I give you the spa-yoga-writer retreat model. (I was just kidding about the tarantulas. Those cost extra.)

9. Pink Pangea 

Photocredit: www.pinkpangea.com

I don’t make up the names, folks.

This is a women-only retreat in the lush mountains of Costa Rica. The retreat is conducted at the Pura Vida Retreat, a private 12-acre facility that offers spa amenities and optional yoga and meditation classes. For those looking for adventure, there are additional options, like kayaking, zip lining and tours of a nearby volcano. Choose from a variety of price points in terms of accommodations. On the writing side, organizers offer workshops on pitching and travel writing as well as opportunities to get published. Location: Pavas, Carrizal, Alajuela, Costa Rica.

What I think: While this retreat sounds lovely–I mean who doesn’t want to downward dog on the side of a mountain?–and I like the optional excursions, I’m less interested in travel writing as a focus of a writer’s retreat. But it looks fabulous for the budding travel writer, and if my private jet needed to fuel up on the way to Argentina, I’d totally sign up. 

10. Centauri Arts

Photo credit: www.centauriarts.com

For writers of all levels, this creative writing retreat promises relaxation and writing inspiration under the Costa Rican rainforest canopy. Located on a biodynamic farm 20 minutes from the town of La Fortuna, this retreat offers writing workshops each morning, manuscript critiques, and public readings. Location: Finca Luna Nueva Lodge, La Fortuna.

IMHO: Friends, you know what you find in a rainforest canopy? Lots of life. Killer ants, mean bees, probably monkeys and snakes, too. They are all alive. But, hey, if you’re into that, by all means attend this retreat. It sounds really cool. No, really, it does. I’d go if I didn’t have so many “issues.”


11. Write, Travel, Transform: Machu Picchu and the Sacred Valley of Peru

Photo credit: www.lauradavis.net

This writing retreat is another hybrid experience, where you can write and meditate and see the sights. Led by non-fiction author Laura Davis and Iyengar yoga instructor Karyn Bristol, this retreat offers daily writing workshops, yoga classes, optional tours of the Amazon forest and the chance to give back to the local indigenous community. Location: Various sites in Peru.

If you ask me: While the cost of this retreat is higher than most of the others (a minimum of $5300 for a double-occupancy suite), I appreciate the organizers’ work to support the surrounding community.  A portion of the tuition is donated to a local school.

And finally there’s…


The land of Jorge Luis Borges and so many other dark and ironic writers, Argentina is a necessary stop on an adventure through Latin America’s literary landscape–whether actual or virtual.

Photo credit: www.favim.com

Buenos Aires alone has more bookstores per capita than any other city in the world. There’s also the Feria Internacional del Libro each spring.

You could take English-language creative writing workshops at the renowned Walrus Books, catch a reading at the historic El Ateneo, considered one of the most beautiful bookstores in the world, or take a tour of the places Argentina’s most famous authors once lived and loved and wrote.

And, in a pinch, you can always put on your tacones and tango… or check out this retreat:

12. Residencia Corazón Argentina

Photo credit: www.residenciacorazon.com.ar

Founded in 2006, Residencia Corazón is an interdisciplinary residency program that hosts three artists at any given time for one to three months in the city of La Plata, near Buenos Aires. The organizers provide the writer (or artist) with a personalized residency experience and supportive environment. Artists-in-residence collaborate with other local artists, teach workshops, and offer public readings/exhibitions of their work.

Reality check: I’d love nothing more than to check out for one to three months, but it’s not an option for this mother of two. It sounds like a fantastic opportunity, not only to travel to South America but also to network with Argentinian writers and artists. Retreats–but especially residencies–are a challenge for writers who have kids at home or are primary caretakers. Still a girl can dream.1

  1.  A girl sprouts magic wings, flies to Argentina to finish her short story collection, sips mate. Borges invites her to dinner and explains the meaning of a million footnotes. She dances a little tango.


Dini Karasik is a Mexican-American lawyer and writer raised in Texas and  Maryland. She’s also the founding editor and publisher of Origins Journal, a literary magazine that examines the art of narrative through the lens of identity.

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  1. Can I recommend the VSW (Vancovuer School of Writing’s Mexico Writing Retreats in Janaury and February
    Insightful classes, great bonding, one-on-one writing coaching, fun events
    Testimonial from Ellen Chauvet: “I got my passion for writing back and what I accomplished is both valuable and sellable… the group was great, and we contributed and supported each other (so important !). The town was great and rustic. Loved the people. Loved the food. Loved the weather. Kathrin as a facilitator is extraordinary and for me personally gave me exactly what I was looking for. Confidence… Coaching on how to have my dialogue and the “gory” scenes work. Also great coaching on next steps for getting an agent and a publisher. The retreat was basically everything I wanted and more!”

  2. Thank you so much for listing Under the Volcano in this write-up. We’re virtual this year with an expanded program running from April 9-30 and wonder if there’s a way you could mention this unique offer to your readers if you’re blogging in the next couple of weeks while we continue to read applications. We’re still offering financial aid and full fellowships to gifted poets, fiction writers, esssayists and journalists. All are welcome to our Community of the Imagination. January 2022 will likely be a hybrid program, public health permitting. We love our new virtual existence and plan to keep it going even as we return to our home in Mexico and beyond.