He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled

The Blog

  • The Race of Art image of tag icon

    Imagine if I was in a race with a famous cyclist. Let’s say this cyclist is named Lance Armstrong. If the recent drug charges bother you, let’s call him Jan Ullrich or Eddy Merckx or Séan Kelly. The identity of the cyclist doesn’t matter, just that he’s renown for cycling. I am not a cyclist. I bike. Occasionally. […]

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  • Book Art image of tag icon

    I love this book art so much (by Korean-born, London-based artist Jukhee Kwon).

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  • Book Burning Party image of tag icon Read More
  • The Space of 9/11 image of tag icon

    A lengthy if not especially scientific survey of my Facebook friends today found that most of them who posted about 9/11 focused on their location during the tragedy. They told their perspective on the situation always through the lens of space: I was at the doctor’s office when … I was in class when … I was […]

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  • Chris Adrian’s “Grand Rounds” in Granta 120 image of tag icon

    Granta’s latest theme is “Medicine.” Who better to write about medicine than a practicing pediatrician and a man named to the New Yorker “20 under 40” list? Chris Adrian kicks off the latest issue with “Grand Rounds,” a story unlike his other fiction. It’s a transcript of a speech given to other doctors, so it’s […]

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  • Deborah Eisenberg Teaches Us to Use Adverbs Wickedly Well image of tag icon

    Many writers have a longstanding embargo against adverbs. Too often this is analogous to the U.S./Cuba embargo: originally made for some worthwhile purpose, but as the years pass, that purpose seems less and less meaningful and more and more antiquated. Mark Twain called the overabundance of adverbs an “adverb plague”: “I am dead to adverbs; they […]

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  • How to Write Long Sentences image of tag icon

    In the latest issue of GQ, Boris Kachka tries to review Michael Chabon’s Telegraph Avenue in one sentence. The justification for this is somewhat weak — he cites Jonathan Franzen for having a ‘long’ sentence in Freedom (wait: 307 words doesn’t really count as “long”) and the fact that Chabon himself tries a 12 page […]

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  • J. F. Powers and Animating Your Fictional World image of tag icon

    I’ve been reading “The Stories of J.F. Powers” on the recommendation of Charles Baxter, who mentioned Powers in his excellent collection of essays on writing, “The Art of Subtext.” Baxter situates Powers as an alternative to Flannery O’Connor, saying that he hates O’Connor because her imagination is “nourished by cruelty,” she uses her characters for […]

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  • Literary AutoComplete image of tag icon

    A woman just used Google autocomplete to characterize every state in the nation. The results are funny. The first one for Illinois is “Why is Illinois so … corrupt?” According to autocomplete, Oregon is weird, rainy and liberal. Georgia is hot, racist and boring. So I decided to do the same for literature: Why is […]

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