What makes or breaks your novel is what exists before you write your first word: your central concept.
The concept is so important. And yet it’s something that’s usually neglected when talking about writing craft.
That’s because it’s much easier to talk about sentences, or plot, or characterization, or beginnings — or really anything else. Those are easy to judge, and easy to teach.
If you were a billionaire, would you still be writing?
If you answered yes, then clearly writing is your calling.
But what would you do differently as a billionaire writer?
So many articles about book clubs seem to be written by people who have never belonged to a book club. Boring, obvious information. I’m going to change that here.
I have a lot of firsthand experience: My book club is called the Bookhouse Boys (yes, we have a name!). We’re five guys who’ve been meeting together once every two months for the last nine years. We used to meet at restaurants all over Southern California, but for the last four years we’ve just met at my house.
It’s true that people write the advice they need to hear, and I’ll be the first to admit I haven’t been the perfect model for a happy writer.
I had some bad years. Mrs. Bookfox definitely saw the worst of it. Part of it was chemical issues, but also I had such extravagant fantasies about writing success and none of them were coming true.
When I was 31 years old, I’d been laboring over a novel for 5 years.
It was a quagmire. I was hopelessly stuck in a plot that wouldn’t move, in characters that couldn’t elicit sympathy, and with ambitions that were far beyond my skill as a writer.
When I’d started the novel, I had a grand vision that hadn’t played out on the page. I’d dreamed up a magnificent castle and built a ramshackle hovel.
I became a writer mainly because of pride.
Growing up, I always had an excess of confidence. Maybe it was being a big fish in the small pond of the desert town of Hesperia, California, but I was supremely confident that I could do anything.
So when figuring out what to do in life, I decided to become a writer because I thought other people should listen to what I had to say.
Unless you prefer to write only with pen on paper, you probably use technology to help you write. Well, why not upgrade your technology in the hopes of upgrading your writing?
Check out the helpful technologies and softwares below which are the best tools to spur your writing along. Also, some of links below include affiliate links, which means if you click on them and purchase you’re supporting Bookfox (thanks — that’ll help me continue to help writers like you!).
What is “Slow Writing”?
You’ve probably heard the phrase tossed around for other topics:
- Slow Food
- Slow Cinema
- Slow Fashion
- Slow Travel
It’s a movement based on Carl Honore’s 2004 book, In Praise of Slowness, which is about the detrimental effects of building an entire culture around the benefits of speed.
Hey Bookfoxers, it can be difficult to find a writing community in your area, even if you’re an established writer.
It’s especially hard if you’re not in a major metropolis. I mean, writers are on in every street corner in San Francisco or New York, but if you’re in a smaller city or suburbs or a rural community, it becomes increasingly difficult to find fellow writers.
I’m going to give you the information every writer should know when approaching bookstores to plan a book tour: the perspective of a bookstore owner and an author.
In December of 2013, Brian Lampkin and I opened Scuppernong Books in Greensboro, North Carolina. We sell mostly new books, some used, and we have a café where you can buy coffee, beer, wine, small plates, and snacks. We get a lot of requests from writers who want to hold events at our store, many more requests than we could possibly schedule. We hold as many events as we can, but we still have to turn down writers.