Most people have trouble coming up with cool character names, which is why some kids end up with names like Vagena (true story) or Gaylord (Gaylord Focker is truly the worst name ever). But for fiction writers it’s harder because you have to come up with a dozen or so character names for every single […]
I often find action movies boring because I have the same criticism every time: More backstory. I want heroes and heroines and villainesses with complicated motives that are tied to experiences from their pasts. Without backstory, characters become puppets, their actions serving only the advancement of the plot and not their own growth and […]
The keys to a story are the characters, and the key to characters is knowing the difference between round and flat characters. This way, you can be intentional about writing characters who make connections with your audience and also writing characters who support that connection. When building a cast, it’s important to think about the […]
You build a character by separating them from the mass of humanity. Making them an individual, rather than a face in the crowd, is the main challenge of writers. A mannerism is one of the best ways to make a character memorable. Just a single unusual or curious affectation can make them stick in the […]
How well do you know your characters? You’ve probably asked yourself some form of this question before. Most successful writers spend time delving into the characters who populate their pages. Countless resources exist (such as Bookfox’s “4 Character Questionnaire Tests—Can You Pass Them?”) to help you create characters rich in backstory, motivation, and personality—just like […]
In every author’s life there comes a moment when they must slaughter one of their creations. Yep, you’ve got to kill one of your characters. I know, I know, you love them, you’ve created them, and yet for the sake of the story and for the sake of the reader, they need to bite a […]
Guest Post by Jody J. Sperling Stories are only truly great when they confront the great fears. Bernard Malamud knew this. His character of Roy Hobbs, a naturally gifted baseball player, was shot by a mysterious and seductive woman, which ruined his career in the big leagues. This was what Hobbs dreaded the most — […]
There are three parts to a character: a personality, a backstory, and a motivation. These three things are what create your story. Most important of the three is the character’s desire, or motivation. A motivation has the potential to be the backbone of the entire story, create a character arc, or add a more complex dimension […]
Your characters matter more than your plot. I’ll say it again: your characters matter more than your plot. You can give your audience dragons, mystery, romance, or even a massacre at a wedding, but none of that will matter if the reader doesn’t care what happens to the people. They are the ones who drive […]
The vast majority of character descriptions are simply lazy. They recycle typical ideas about hair, eye color, and build, giving you more information about the character’s fitting for a dress or suit than the type of information you need to know them intimately. The first thing you should do when describing a character is to pick a […]
